Articles & Publications

The Art of the Lathe by Patrick Spielman, 1996

  • Anne Carlisle, Wood: Revisited, (Philadelphia, PA: The Center for Art in Wood exhibition catalog, 2016) 43, 52-3, 80-1.
  • Emily Zilber, Beyond Boundaries: Wood Art for the 21st Century, (Chicago, IL: SOFA exhibition catalog, 2014) 7, 27, 2.
  • Kevin V. Wallace, Materiality of the Voids – The Deconstructed Forms of Bud Latven (Australia: Craft Arts International Pty Ltd, 2014) 56-60.
  • Lowrey Stokes Sims and Elizabeth Kirrane, Against the Grain: Wood in Contemporary Art, Craft and Design (New York, NY: The Monacelli Press LLC, Museum of Arts and Design, 2012), 12, 52-53.
  • Glenn Adamson, Turning to Art in Wood: A Creative Journey (Philadelphia, PA: Schiffer Publications LTD, Atglen, PA, 2011) 200, 202, 250, 255.
  • Kevin Wallace, The Cutting Edge: Contemporary Wood Art and the Lipton Collection (Los Angeles, CA: Fine Arts Press, Long Beach Museum of Art, 2011) 125-26, 204.
  • Elizabeth Sovik, Conversations with Wood, The Collection of Ruth and David Waterbury (Minneapolis Institute of Arts, Minneapolis, MN, 2011), 146.
  • Mark Baker, Featured Artist (London, UK: GMC Publications, Woodturning magazine, June 2011), 96.
  • Bud Latven, The Cutting Edge (Soundings Publications LLC, Woodshop News, January 2011), 18-19.
  • Nicholas R. Bell, A Revolution in Wood: The Bresler Collection (New York, NY: Random House, 2010), 31, 82, 125.
  • Dennis Keeling, The Master Segmenters (London, UK: GMC Publications, Woodturning, August 2010), 34-37.
  • Nicholas R. Bell, A Revolution in Wood: The Bresler Collection (New York, NY: Random House, 2010), 31, 82, 125.
  • Kevin Wallace, Connections and Reverberations (St Paul, MN: American Woodturner, Vol. 25, No.2, April 2010), 53-57.
  • Bud Latven, New therapies For Wood Dust Allergies (London, UK: GMC Publications, Woodturning, April 2010), 71-73.
  • Linda Vangehuchten, Spirit of the Southwest (Saint Paul, MN: American Association of Woodturners, exhibition catalog, 2009), 21.
  • Jim Christiansen, Masters: Woodturning (New York, NY: Lark Books, Sterling Publishing Co, Inc, 2009), 216-223.
  • Ted Gaty, Over The Edge (Saint Paul, MN: American Association of Woodturners, Vol. 24, No. 3, Fall 2009), 54-57.
  • Gerald Ward and Julie Muniz, Shy Boy, She Devil and Isis, The Art of Conceptual Craft (Boston, MA: MFA Publications, Boston Museum of Fine Arts, 2007), 75-76.
  • Roger Rowley, Woodturning on the Edge, Prichard Art Gallery, University of Idaho, Moscow, ID, exhibition catalog, 2006.
  • Emma Crichton-Miller, Turning Wood Into Art 2006, Sara Myerscough Fine Art, Collect @ The Victoria and Albert Museum, London, England, exhibition catalog, 2006.
  • Carl Voss, Those Puzzling Pieces, (St Paul, MN: The Journal of the American Association of Woodturners, Vol.19, No.4, 2004), rear cover.
  • Kip Christensen and Dale Nish, Beneath the Bark: Twenty-Five Years of Woodturning, (Provo, UT: Utah Woodturning Symposium Inc, 2004), 72.
  • Ray Leier and Jan Peters, 500 Wood Bowls, (New York, NY: Lark Books, Sterling Publishing Co, Inc, 2004), 69, 167, 370.
  • Marsha C. Bol, SoQ: Contemporary Art in Southern New Mexico, (Santa Fe, NM: New Mexico Museum of Fine Arts, 2004), 25, 60, 111.
  • Mark Richard Leach, Whole Grain: Sculptural Wood 2004, Collectors of Wood Art exhibition at SOFA Chicago, catalog, pp 5, 19.
  • Kevin Wallace, Metamorphosis, (East Sussex, England: Woodturning, Guild of Master Craftsman Publications LTD, 2003), 34-36.
  • Bruce Fellman, One Good Turn, (New Haven, CT: Yale Alumni Publications, Inc, Vol LXVI, Number 1, 2003), 48, 49.
  • Patricia E. Kane, Yale Collects Wood – Gifts from the Collection of John and Robyn Horn (reprinted from Turning Points, Vol. 15, No. 2, Philadelphia, PA, 2002), 6,7.
  • Kevin Wallace, Roots, (Baltimore, MD: American Style, Fall 2002, Rosen Media, Inc., 2002), 76-83.
  • Kevin Wallace, The Past and Future of Wood Art, (Novato, CA: Woodwork, No. 76, Ross Periodicals, Inc, 2002), 56-63.
  • Richard Raffan, Woodturning in North America Since 1930, (Novato, CA: Woodwork, No. 76, Ross Periodicals, Inc, 2002), 64-67.
  • Megan Bates, Masters of Wood, (St Paul, MN: American Woodturner, V.17, No.2, American Association of Woodturners, 2002), 21, rear cover.
  • Edward S. Cooke, Jr. et al, Woodturning in North America Since 1930 (Philadelphia, PA: The Woodturning Center and Yale University Art Gallery, 2001), 11, 85, 89-90, 163, 170.
  • Andrea Shapiro, Refuge for a Brainstorm (Santa Fe, NM: Santa Fe Trend, No.1 Vol. 2, Trend Publications, 2001), 28-30.
  • Penny Pagano, Textures – Quilts and Wood, (Baltimore, MD: American Style, The Rosen Group, Inc., 2000), 45-53.
  • Iona Elliott, Million-dollar Collection, (East Sussex, England: Woodturning, Guild of Master Craftsman Publications, 2000), 20.
  • Robyn Horn, Living With Form – The Horn Collection of Contemporary Crafts, (Little Rock, AR: The Arkansas Arts Center, Bradley Publishing, 2000), 70-1.
  • Ray Leier et al, Contemporary Turned Wood – New Designs in a Rich Tradition, (Los Angeles, CA: Hand Books Press, 1999), 73.
  • Melanie Winters, An Evolutionary Path from Function to Pure Art, (Essex, CT: Woodshop News, Soundings Publications, 1998), 8-9 (biographic essay).
  • Alan DuBois et al, Moving Beyond Tradition: A Turned Wood Invitational, (Little Rock, AR: The Arkansas Arts Center Decorative Arts Museum, 1997), 36-7.
  • Judson Randall et al, Enter the World of Lathe-Turned Objects, (Philadelphia, PA: The Wood Turning Center, 1997), 70.
  • Tran Turner et al., Expressions in Wood – Masterworks from the Wornick Collection (Oakland, CA: Oakland Museum of California, 1996), 112-5.
  • Jane Mason et al., The 1996 Smithsonian Craft Show (Washington, DC: The Smithsonian Institution, 1996), 39.
  • Patrick Spielman, The Art of the Lathe (New York, NY: Sterling Publishing, 1996), 36, 132-3, front cover.
  • Scott Gibson, American Turnings on Tour (Newtown, CT: Fine Woodworking magazine, Taunton Press, –1995), 84-5.
  • Arnold Brickman, Turned Wood ’94 (St Paul, MN: American Woodturner, American Association of Woodturners, 1994), 35.
  • Heather Sealey Lineberry, Turning Plus – Redefining the Lathe Turned Object III (Tempe, AZ: Arizona State University Art Museum, 1994), unpaginated.
  • Albert LeCoff, Challenge V: International Lathe Turned Objects (Philadelphia, PA: Wood Turning Center, 1993), 40.
  • Lois Moran et al., In View – 1993 Year of American Craft (New York, NY: American Craft, American Craft Council, 1993), 4.
  • David Turner et al., New Mexico ’93 (Santa Fe, NM: New Mexico Museum of Fine Arts, Santa Fe, NM, 1993), 21.
  • Martha Connell, Out of the Woods: Turned Wood by American Craftsman (Mobile, AL: Fine Arts Museum of the South, 1992), 48-9.
  • Albert LeCoff, Museum Matters (Philadelphia, PA: Turning Points, The Wood Turning Center, 1992), p.1.
  • Albert LeCoff, International Lathe Turned Objects – Challenge IV (Philadelphia, PA: Wood Turning Center, 1991), 61-5.
  • Susan McGarry et al., 4th Dimension (Houston, TX: Southwest Art, CBH Publishing, 1990), 40.
  • Albert LeCoff, Lathe Turned Objects (Philadelphia, PA: Port of History Museum, 1988), 75.
  • Bud Latven and Addie Draper, Segmented Turning (Newtown, CT: Fine Woodworking Techniques #9, Taunton Press, 1987), 134-7.
  • Paul Bertorelli et al, Design Book Four (Newtown, CT: Fine Woodworking magazine, Taunton Press, 1987), 125.
  • Bud Latven and Addie Draper, Segmented Turning (Newtown, CT: Fine Woodworking, Taunton Press, 1985), cover, 64-7.